Kwality graces the 5th single release from Echodub, and with him comes a deep, sweeping wave of bass, melody and razor sharp rhythm. Hailing from Victoria, Australia's most densley populated & urbanised state, Kwality brings us soul from the southern hemisphere.

Candlelight is a finely crafted dubstep overture, with waves of undulating bass, pin-sharp percussion and layers of melody which build a beautiful, deep yet delicate track.

Downpour continues with Kwality's well layered melody and tones, but takes things firmly towards dub-techno, and hints towards a more dancefloor friendly strain of dub-techno.

Residual Shift takes the 4-4 drumbeat of Downpour and again builds a fantastic delicate synth line over the top, with smooth sweeps of sound and a melody that gives Kwality's work that professional subtlety.

DFRNT's second Echodub release, brings us more of that spacey, chilled atmospheric, yet melodic production, coupled with fellow label-mate King slaFF's re-working skills.

'Lounge' is a smooth organ-led exploration in to downtempo dubstep, with an ethereal synth line sitting over a beat which would best be described as 'flowing'.

'Wake Up' is a wider, more soundtrack-based piece, building up to an incredibly chilled drop which sounds like a cross between the sounds of an underwater utopia, and a sunrise over a winter landscape.

King slaFF stands forth on remix duties for 'Lounge' and brings us a new angle on the track. Beats, synths and percussion all get thrown in, re-arranged and extracted into an exemplary compliment to the original.

Emi Ono brings us 3 pristine crisp dubstep/techno fusion tracks from her catalogue.

Ikidomari, the elegant, yet COMPLETELY on point and most dubstep-esque track, combined with 2 more techno based tracks, Kuukan and Orb. Kuukan takes a more pressure based approach with a driving rhythm that takes you head-on, while Orb eases slightly on the rhythm, giving in to a broken more breaks style flow.